At the beginning she mentioned that it was a turbulent period for the sphere of Culture, because Zeta Duca began something very important, giving the example of other very courageous women who lived in the midst of absolute abuse of power, terrible bullying and a distorted perception of the limits of the director's or the theater manager's authority or his Protagonist. “If someone who is appreciative and approaches a young child who can look at him numb, like a 'holy monster', he thinks this is the way. This is too dangerous. No one has the right for the sake of his personal perversion to abuse tens or hundreds of people adults or minors. And this is something that we must assert strongly, and it matters, and I appeal to people who are afraid not to fear anything in relation to some totem that hides lockdowns, abuses, abuse of power, unprofessional behavior. When one wants to do one's job it does not mean that one has to do the pleasures and tastes of whatever perversion everyone has. People who are like this need to be uprooted from the theater.”