In a continuous game even with the very title of her film, Stella Theodorakis develops each story, starting from the concept - the starting point of each student before gradually reaching the human dimension that inevitably hides in its heart even the most abstract idea. Or at least that is her ambition, as gradually what you see takes on different forms. Reality becomes entangled with the stories of each student, the dream becomes entangled with realism, desires become images, two stories become one and then separate again, faces from the dream come to life in reality, and others are lost in the process of their representation. The topics are many. From... father to snails and from Eric Satie to Nazi ideologue Alfred Rosenberg. From love, sex, diversity, the (Greek) crisis, the education system, sexism, violence, loss, to resistance, neoliberalism, technology, faith, censorship. From history and its repetition, to amnesia (its). Like a box that opens to reveal in itself an obsessive dialectic about art itself (cinema, but not only) and the point at which it meets everyone's personal path, Stella Theodorakis is consciously drawn - just as film students unconsciously do - into a collage of different narratives that all together complete the big picture of a modern generation trying to find its own points of reference, its own reproaches, and on them to fight its own battles.